Jan 292013
 

“Are videogames a storytelling medium?” That is the question that kicked off this site. I’d been invited to speak at a small digital media event called “Television is Dead,” here in Sydney. I fought the urge to run screaming, and instead gave some thought to what I’d like to talk about. I started thinking about how games fit into Joseph Campbell’s classic Hero’s Journey narrative structure, and what I came up with was something like this:

As humans, we have a very long history of storytelling. In fact, some have suggested that it our defining feature as a species. Science writers Ian Stewart and Jack Cohen believe that humans should be classified not as homo sapiens, but as pan narrans – the storytelling ape.

In the days of hunter–gatherer societies, the primary storytellers were shamans. Their role was to protect and guide the tribe by communing with the spirits, and one of the ways they did that was to take a whole lot of hallucinogenic substances and go into trances. In the trance state, the shamans believed that they ascended to heaven, via the underworld, and spoke to the gods (or spirits). They would then return to the world of the living, and impart to their people the wisdom that they had received, in the form of stories.

Over the centuries, stories have evolved to cover all kinds of ideas and subject matter, across all human cultures, but what is interesting is what has stayed relatively consistent. In 1949, Joseph Campbell published “The Hero with a Thousand Faces”, which is an attempt to draw together those features of stories that have remained consistent across the world and the centuries. The result is this idea of the “Monomyth”, or “Hero’s Journey”.

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Nov 282012
 

Today’s post was going to be some narrative theory stuff I’ve been working on, but it’s currently disappeared up its own high-concept backside, so instead I’d like to address something much more pressing and topical – women gamers and game-makers – and why they’re very relevant to the mission of this blog (run as it is by a thirty-something white male).

In case you haven’t heard, there’s been something of a protest/solidarity movement happening on Twitter over the last day or so, with women (and supporters) posting under the hashtag #1ReasonWhy (in answer to “why aren’t there more women in the games industry?”). The tweets have been about bringing to light the rampant sexism and abuse that females have had to deal with due to working in our industry (or even just playing games). Go check out the thread – it’s pretty sobering stuff, although it has brought out a fair bit of love and support, as well (and the #1ReasonToBe tag is providing a more hopeful flip-side).

It’s great to see this stuff being brought into the open. But the discussion needs to keep spreading and deepening if anything is to change on a fundamental level. Continue reading »

Nov 192012
 

Today’s blog is the first in what I hope will be a long series of guest posts discussing games which have had a significant impact on the authors’ own life narrative. In this biographical piece, Katherine Owen describes how one series of games has helped her cope with – and grow through – her chronic injury.

For years there has been unceasing and usually negative media attention on video games and the perilous effects they are said to have upon impressionable young minds. Computer games certainly did affect my mind in a profound way, though with a different outcome than that which is commonly feared. One series in particular, a role-playing/adventure hybrid called Quest for Glory, changed my life for the better and convinced me that anyone can help to make the world a better place.

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